And then I saw that Melissa Fumero had been cast as Amy Santiago on Brooklyn Nine-Nine, and I felt my guts roll up into my throat and try to escape out of my mouth. Omgomgomgomg that’s it then. There’s no way in hell a major network is gonna cast two Latina actresses in such a tight ensemble show I AM SCREWED.
And then next day my agents called and told me I’d booked it.
I couldn’t believe it. I had been saying to my boyfriend the night before how there was JUST NO WAY. Normally, The Latina is a singular element of the ensemble she is working in. She’s there to provide contrast, or sexuality, or humor. Or she’s there to clean the floors and/or steal your man. There are some serious stereotypes very much alive in film and TV today, and The Latina is one of them.
Here’s the thing though. The world is changing. Slowly but surely, television is changing. The character stereotypes are changing, or being turned inside out by some fantastic writers and actors (I’m looking at you, Orange is the New Black, Scandal, and The Mindy Project). People of color are on TV playing roles that are fleshed out, complex, human. And yes, some of those characters are maids. Some are sexy heartbreakers there to steal your man. Some own BBQ joints, while some are Chiefs of Staff. Some are prisoners, and some are cops. All are real people with hopes, dreams, ambitions, fears, and all the other vast human emotions and desires…
…This is important. Because young women are watching TV, and they are getting messages about who they are in the world, who the world will allow them to be. And in big important steps, television is showing a reflection back to those young women that YOU CAN BE WHATEVER THE HELL YOU DAMN WELL PLEASE, and that two Latinas on one show is NORMAL. I think that’s a win for everybody.
3 percent of the decision-making in media comes from women. That means 97 percent of how women are portrayed is decided on by men.
Independent Lens, PBS
“Wonder Women! The Untold Story of American Superheroines” (via ihopeyoucontinue4ever)
It also means that 97 percent of how men are portrayed in media are decided on by men. Something to remind MRAs and their ilk of when they complain about the stereotype of men as inept slobs, bad fathers, etc in media and advertising.
Men have the power. So when we men are shat on by the powers that be you don’t get to try and blame women for that.
And that bullshit argument where MRAs try to claim women have more power because there’s slightly more of us in the US. Doesn’t do us much good when the media is 97% controlled by men.(via smitethepatriarchy)
Quality of urban life has become a commodity, as has the city itself, in a world where consumerism, tourism, cultural and knowledge-based industries have become major aspects of the urban political economy. The postmodernist penchant for encouraging the formation of market niches—in both consumer habits and cultural forms—surrounds the contemporary urban experience with an aura of freedom of choice, provided you have the money. Shopping malls, multiplexes and box stores proliferate, as do fast-food and artisanal market-places. We now have, as urban sociologist Sharon Zukin puts it, ‘pacification by cappuccino’. Even the incoherent, bland and monotonous suburban tract development that continues to dominate in many areas now gets its antidote in a ‘new urbanism’ movement that touts the sale of community and boutique lifestyles to fulfill urban dreams. This is a world in which the neoliberal ethic of intense possessive individualism, and its cognate of political withdrawal from collective forms of action, becomes the template for human socialization.